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Sixties Shockers: A Critical Filmography of Horror Cinema, 1960-1969, by Mark Clark, Bryan Senn, Foreword
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This comprehensive filmography provides critical analyses and behind-the-scenes stories for 600 horror, science fiction and fantasy films from the 1960s. During those tumultuous years horror cinema flourished, proving as innovative and unpredictable as the decade itself. Representative titles include Night of the Living Dead, The Haunting, Carnival of Souls, Repulsion, The Masque of the Red Death, Targets and The Conqueror Worm. An historical overview chronicles the explosive growth of horror films during this era, as well as the emergence of such dynamic directorial talents as Roman Polanski, George Romero, Francis Ford Coppola and Peter Bogdanovich.
- Sales Rank: #2423823 in Books
- Published on: 2011-07-25
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x 1.30" w x 7.10" l, 2.45 pounds
- Binding: Hardcover
- 541 pages
From Booklist
In the 1960s, horror films were innovative and exciting. The film industry exploded with many inspiring and now-classic films, actors, and directors. Many of the movies produced in this decade were much more realistic and taboo breaking than ever before. This exhaustive look at the horror films of the 1960s extols the diversity and ingenuity that infused this decade of filmmaking. The book first takes a narrative look at the decade in horror-film history, then breaks down each of the more than 600 films into a detailed analysis. Covering every horror film (as well as science-fiction and fantasy films that have prominent horror elements) released theatrically in the U.S. between 1960 and 1969, entries include year of release, the country of origin, alternate titles, a notation if the film was black and white rather than color, the production company, and a list of key crew and cast members. The final section of the book includes a brief overview of other science-fiction and fantasy films that lack significant horror elements, films produced in the 1960s that did not get released until the 1970s or later, and those that were produced overseas and never released in the U.S. Included in this comprehensive work — which ranges from The Angry Red Planet to X: The Man with the X-Ray Eyes— are timeless classics as Night of the Living Dead, The Birds, Psycho, and Friday the 13th. This is a necessary purchase for academic libraries supporting a film- or cinema-studies curriculum. It would also be useful for public libraries whose patrons are interested in film history. --Christy Goodnight
Review
"Highly recommended." --Choice
"By virtue of its subject, paternity and compulsive readability, SIXTIES SHOCKERS immediately announces itself (before a word is read) as one of the most important horror-related film books of the year. A quick perusal does nothing to counter this impression: it's well-designed, ably and personably written, it contains just the right balance of photographs, and the entries are conscientious about crediting sources from whence quotes or specific information have been cribbed...compiled with great love, dedication and enthusiasm." --Video Watchdog
About the Author
Film historian Mark Clark lives in Mentor on the Lake, Ohio.
Psychometrist Bryan Senn's work has appeared in Filmfax, Cult Movies, Shivers, Midnight Marquee Press and Monsters from the Vault. He lives in the Pacific Northwest.
Most helpful customer reviews
10 of 10 people found the following review helpful.
Surprisingly condescending reviews
By Michael G. Dwyer
Although it contains a wealth of useful information and is frequently entertaining, SIXTIES SHOCKERS is marred by a number of condescending reviews. Mexican films, for instance, always seem to be treated patronizingly - even when the authors admit that they are done well. While all too ready to assert the campy merits of some truly atrocious grade Z films, they give many more-than-competent foreign films short shrift indeed. In fact much of the book seems permeated by that vague snobbery common among reviewers who don't much care for horror fims, or those who enjoy them as unintended comedy. It's an unfortunate failing in an otherwise valuable work.
2 of 2 people found the following review helpful.
Great Fun for the Baby Boomer
By Gary P. Cohen
As a baby boomer who grew up reading Famous Monsters and loving the horror and sci. fi. films of the '50s and '60s, I greatly enjoyed this book. The book begins with an overview of the horror films of the 1960s going year by year and going into detail on the most important films of that particular year. The second part and the bulk of the book are nice, sometimes fairly long reviews of the horror films of the decade in alphabetical order. And what films are covered!
We get the great Poe films from Roger Corman starring the incomparable Vincent Price, my favorite Hitchcock films: "The Birds" and "Psycho" and the horror films of the master showman himself William Castle, "Mr Sardonicus" and "Homicidal." We get the Dracula and Frankenstein films, as well as the other classic films, from Hammer Pictures starring the wonderful Peter Cushing and Christopher Lee. The living legend Ray Harryhausen is touched on with "Jason and the Argonauts" and "Mysterious Island." (Yes, I know that many of the films mentioned seem more sci. fi or fantasy than horror, but I love these films so who cares?) We get cult films like "Dementia 13" and "The Day of the Triffids," little-remembered gems like "Dark Intruder" and "Chamber of Horrors," and even Irwin Allen's 1960 "The Lost World." After the major reviews, there are shorter one or two paragraph reviews on some other favorites like Irwin Allen's "Voyage to the Bottom of the Sea," George Pal's wonderful "The Time Machine" and even the Vincent Price starrer Jules Verne's "Master of the World." There are so many of my favorites mentioned, I almost overdosed on the book.
The writers can be quite critical at times really bashing in an amusing manner many of the little-remembered grade Z horror films. Yet they can give highly positive reviews to other low budget films like "The Day Mars Invaded Earth", "The Curse of the Fly" or "Caltiki, the Immortal Monster." As stated their highly negative reviews can be quite amusing and in the course of the reviews we get various blurbs from individuals who starred or helped make these films. In many of the reviews, we even learn what the second feature was that played with these films.
This book is published by McFarland and, like many of their books, is a little pricey. However it is well-worth the money if you love and remember so many of these films like I do. This is the perfect summer book to relax with while sitting on your porch or out in your backyard. I highly recommend it.
6 of 8 people found the following review helpful.
Disappointing reviews, but a great overview of titles
By orvuus
Not sure how the other reviewers give this book the superlative ratings they do. It is good, but not superb. For my part, I expect a review book, especially a "critical" filmography, to show a bit of discernment, and also a superior knowledge of both the current release market (DVD and Blu Ray now) and the regard for horror movies amongst other reviewers, the public, and even possibly the director's peers. Onibaba is reviewed in the peculiar "more movies" section stating laughably "Although certainly horrific, the movie's horror/fantasy elements remain minor." Minor? It's all about horror in the end! This is widely known as one of the creepiest films in the world, and the fact that the mask can't be removed in the end is certainly fantastic and a horror movie classic moment. Furthermore going on to compare it to Kuroneko (a "full-tilt supernatural chiller") the authors weaken their point, because Onibaba is the stronger movie. For every good review they come up with, there are a score of disappointing reviews as well. I was surprised to see negative reviews of a diverse range of titles, from The Pit And The Pendulum to Mill Of The Stone Women. The latter review is especially strange, stating Though the ads promised 'A CHILLING EXPERIENCE,/ this Mill offers a mostly BORING one." That's certainly a professional opinion! It is also contrary to how the movie is viewed by a number of other horror afficiandos -- the movie is creepy, atmospheric, and nearly as classic as Franju's Eyes Without A Face. Pit And The Pendulum, even for a budget horror, is a superb film, evidence of which can be seen in the current DVD/Blu Ray release of Corman's World, where director and actor Ron Howard speaks about its effective ad campaign and how it affected him. It almost seem if a film is made too much on the cheap it won't be reviewed favorably here, although unlike the authors I found Dementia 13, Blood Bath, and Spider Baby to be horror masterpieces despite their flaws.
On the plus side the authors give high marks to Kill, Baby, Kill, by Bava, Horrible Dr. Hichcock, and Horror Castle (Virgin of Nuremberg), as well as fascinating details of production -- some gleaned from other, acknowledged sources. Another minor quibble in re Bava -- it would have been nice to note, as Tim Lucas does in his biography, that other Italian directors loved to come watch Bava films, including Fellini, Antonioni, and others: that's just how well he was regarded by them. The index is very good, though it could have been improved by bold numbers indicating the exact review of a film (e.g. Planet Of The Apes, covered under the "More Movies" section, but referred to elsewhere), and includes some alternate title cross-referencing (Virgin of Nuremberg as alternate title, as well as L'orribile segreto del dottor Hichcock, but not Operazione Paura for Kill, Baby, Kill), and hence is an accessible and useful work. It is also well illustrated with photographs.
All in all a useful, and interesting, overview of a decade, albeit with uneven reviews.
Also compare this volume with The Overlook Film Encyclopedia: Horror (edited by Phil Hardy)
The Overlook Film Encyclopedia: Horror
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