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Rigging a character can be a complicated undertaking. Move from a bi-pedal character to a quad- or poly-pedal and, well, things just got real. Where do you begin?

Unlike all of those button-pushing manuals out there, Rig it Right! breaks down rigging so that you can achieve a fundamental understanding of the concept, allowing you to rig more intuitively in your own work. Veteran animation professor Tina O’Hailey will get you up and rigging in a matter of hours with step-by-step tutorials covering multiple animation control types, connection methods, interactive skinning, BlendShapes, edgeloops, and joint placement, to name a few. The concept of a bi-ped is explored as a human compared to a bird character allowing you to see that a bi-ped is a bi-ped and how to problem solve for the limbs at hand. After you have moved beyond basic bi-pedal characters, Rig it Right! will take you to a more advanced level where you will learn how to create stretchy rigs with invisible control systems and use that to create your own types of rigs.

• Hone your skills every step of the way with short tutorials and editable rigs that accompany each chapter. (17+ rigs!!)
• Read "Tina’s 10 Rules of Rigging" and build the foundational knowledge needed to successfully rig your characters.
• Visit the companion website (www.focalpress.com/cw/ohailey) and expand your newfound knowledge with editable rigs, exercises, and videos that elaborate on techniques covered in the book
• Coffee is not required – but encouraged.

• Sales Rank: #85282 in Books
• Published on: 2013-02-26
• Original language: English
• Number of items: 1
• Dimensions: 9.60" h x .70" w x 7.40" l, 1.68 pounds
• Binding: Paperback
• 304 pages

About the Author

Tina O’Hailey is the Dean of the School of Digital Media at SCAD; prior to that, O'Hailey was the Associate Chair of Animation and a professor of animation. She spent the first part of her career working as an industry trainer for Walt Disney Feature Animation, Dreamworks animation and Electronic Arts.

Most helpful customer reviews

8 of 8 people found the following review helpful.
Packed with great advice...
By L. Massaar
This is an awesome book... have not finished it, but it's packed with sound advice.

I did manage to find the files online after a confusing search throughout the book looking for the url... finally found it on the rear of the cover. o.0

4 of 4 people found the following review helpful.
Great Book by a Great Teacher
By marhuny
I have had this book for over a year, and found it to be instantly helpful in learning to rig my own characters. Yes, Tina makes jokes in the paragraphs, but I find it keeps me from getting too bored with the extremely technical aspects of the subject matter. I also enjoy her comments about how things were years ago, to give beginners some perspective on how much much CG has changed since early versions of Maya. Tina is a former teacher of mine, so I knew this book would be good, but I was surprised that after going through it, I am no longer intimidated by rigging at all. I plan to use this book as a Text for a beginning rigging class I'm teaching myself next month.

4 of 4 people found the following review helpful.
Great intro to rigging
By David
I come from a character animation background and really enjoyed this book. The author draws on a vast amount of experience, and explains how to accomplish various rigging tasks AND why doing it that way is better than alternative methods (as well as potential pitfalls that might arise). My one complaint is that the maya screen captures/diagrams in the book are so small as to be almost unreadable, but it is enough to point you in the right direction so you can follow along in the software itself.

See all 25 customer reviews...

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• Sales Rank: #364225 in Books
• Published on: 2013-02-14
• Original language: English
• Number of items: 1
• Dimensions: 1.01" h x 8.53" w x 11.05" l, 2.60 pounds
• Binding: Cards
• 667 pages

Review
Learn How to Quickly Solve Difficult PCAT Test Questions

Here's a little "secret" about the PCAT: the PCAT is what we in the test preparation field call a "general aptitude" test.

While some tests are looking to see what you already know, the purpose of the Pharmacy College Admission Test (PCAT), offered by the PsychCorp, a brand of Harcourt Assessment, is to test your ability to learn. The goal of the PCAT is to use a standardized testing process to create an objective assessment of a test taker's knowledge and skills.

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Repetition and thorough preparation is a process that rewards those who are serious about being prepared, which means that succeeding on the PCAT is within the reach of virtually anyone interested in learning how to handle any question they might face on test day.

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That's why we created the PCAT Flashcard Study System: we have taken all of the possible topics and reduced them down to the hundreds of concepts you must know and provided an easy-to-use learning method to guarantee success on the PCAT.

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• Flashcards engage more of your senses in the learning process- you "compete" with yourself to see if you know the answers to the questions, and the flipping action gets you actively involved in the learning process
• Our cards are printed on heavy, bright white 67 lb. cover stock, and are laser printed at 1200 dpi on our industrial printers- these are professional-quality cards that will not smear or wear out with heavy usage
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• Our cards are portable, making it easy for you to grab a few and study while waiting for the bus or the doctor, or anywhere where you have a spare moment that would otherwise be wasted
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• The cards are a generous size- 3.67 x 4.25 inches- they fit perfectly in your hands and they aren't so small that you have to use a magnifying glass to read tiny type- all questions and answers are in a normal-size print for easy studying
• Our concept cards include in-depth explanations- you won't see any "one word" answers on our cards that require you to go get a textbook to understand why your answer was wrong- all of our cards include generous, thorough explanations so you not only get it right or wrong- but you also know why!
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Don't get us wrong: we're not saying that memorization alone will automatically result in a passing PCAT score- you have to have the ability to apply it as well. However, without the foundation of the core concepts, you cannot possibly hope to apply the information. After all, you can't apply what you don't know.

PCAT Flashcard Study System is a compilation of the hundreds of critical concepts you must understand to pass the PCAT. Nothing more, nothing less. --

If you think there's even the smallest chance that these flashcards will help you, you owe it to yourself to try them out. Don't let fear or doubt stand in the way of your opportunity to achieve the test score you need to fulfill your dreams.

Most helpful customer reviews

1 of 1 people found the following review helpful.
... cards for just 4 days and it was a great experience, I usually do well with flashcards and ...
By Amazon Customer
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• Sales Rank: #1898861 in Books
• Published on: 2010-01-06
• Original language: English
• Binding: Ring-bound

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• Sales Rank: #7596739 in Books
• Binding: Hardcover

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[A898.Ebook] Fee Download Audio Production Worktext: Concepts, Techniques, and Equipment, by David Reese, Lynne Gross, Brian Gross

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Providing insight into the impact media convergence has had on the radio industry, this new edition delivers an excellent introduction to the modern radio production studio, the equipment found in that studio, and the basic techniques needed to accomplish radio production work.

New chapters addressing the basics of field recording, production planning, and sound for video are included, as well as a renewed emphasis on not just radio production, but audio production.

Featuring a worktext format tailored for both students and teachers, self-study questions, hands-on projects, and a CD with project material, quizzes, and demonstrations of key concepts, this book offers a solid foundation for anyone who wishes to know more about radio/audio equipment and production techniques.

• Sales Rank: #1070068 in Books
• Published on: 2009-01-26
• Original language: English
• Number of items: 1
• Dimensions: .70" h x 8.40" w x 10.70" l, 1.70 pounds
• Binding: Paperback
• 280 pages

About the Author
David E. Reese is General Manager of KUNV radio and Affiliate Assistant Professor in the Greenspun School of Journalism and Media Studies in the College of Urban Affairs at the University of Nevada, Las Vegas (UNLV). Previously he was Adjunct Professor and Director of WJCU at John Carroll University, Cleveland, Ohio. Prior to entering the academic field he worked in commercial radio in positions ranging from announcer to account executive to general manager. He is the author of many articles on college radio and, with Professor Lynne S. Gross, author of Radio Production Worktext (Focal Press).
Dr. Lynne S. Gross has taught radio and television production at a number of universities in both the United States and abroad. She has published 11 books and numerous articles which have appeared in Billboard, Radio Ink, Feedback and the Journal of College Radio. Dr. Gross has served as President of the Broadcast Education Association and was awarded its Distinguished Education Service Award in 1997. Professionally, she worked as Director of Programming for Valley Cable TV and has produced hundreds of radio and television programs.
Brian Gross, MFA, is a multimedia and Internet developer, critically-acclaimed composer, visual artist and published writer. He has been a Professor in the Radio, Television and Film, as well as the Communications departments at California State University at Fullerton, and has developed community-based initiatives to reach at-risk youth through new media. His work has been featured in galleries, performance venues and on radio throughout the United States and Europe.
David E. Reese is General Manager of KUNV radio and Affiliate Assistant Professor in the Greenspun School of Journalism and Media Studies in the College of Urban Affairs at the University of Nevada, Las Vegas (UNLV). Previously he was Adjunct Professor and Director of WJCU at John Carroll University, Cleveland, Ohio. Prior to entering the academic field he worked in commercial radio in positions ranging from announcer to account executive to general manager. He is the author of many articles on college radio and, with Professor Lynne S. Gross, author of Radio Production Worktext (Focal Press).
Dr. Lynne S. Gross has taught radio and television production at a number of universities in both the United States and abroad. She has published 11 books and numerous articles which have appeared in Billboard, Radio Ink, Feedback and the Journal of College Radio. Dr. Gross has served as President of the Broadcast Education Association and was awarded its Distinguished Education Service Award in 1997. Professionally, she worked as Director of Programming for Valley Cable TV and has produced hundreds of radio and television programs.
Brian Gross, MFA, is a multimedia and Internet developer, critically-acclaimed composer, visual artist and published writer. He has been a Professor in the Radio, Television and Film, as well as the Communications departments at California State University at Fullerton, and has developed community-based initiatives to reach at-risk youth through new media. His work has been featured in galleries, performance venues and on radio throughout the United States and Europe.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Always liked it
By Professional Strong Man
I have used the 6th edition and 4th edition of this book in previous audio production classes and have found it to be the best basic audio production book since the old O'Donnell "Modern Radio Production" went out of print. Its good for learning more about basic production skills and the enclosed CD provides a lot of good samples and exercises.

About the only hangup is that the book is quite dated, particularly in the chapters on new tech and internet production - but its not a killer short-coming. If anything, the examples of web sites and editing software show the book's age, but that's it. Everything else in here is top-notch.

The good news - a seventh edition is planned for publication sometime in 2013 - so these shortcomings should be corrected. That's a good thing, because it will just make a very strong book even better.

2 of 3 people found the following review helpful.
A Good Introductory Text
By M. Krieger
Selecting a text for an undergraduate audio production class is a dicey proposition. There are a limited number in print, and some are commercial-focused, while other skew towards documentary, video, or music. Technical scope is another issue. Some read like pure technology primers while others simply skip over the physics smarts one needs to understand why audio tools work the way they do. And currency is always an issue, so regular updates are a must.

Whether someone creates content for broadcast, web, or power point presentations, good AV skills are an essential communication competency. This book works well in providing an up-to-date generalist's guide
to producing decent quality audio. It also includes key topics like copyright and ethics, which are useful in making the point to novices that just because you CAN do something doesn't mean its OK to do so.

The self tests and step-by-step exercises are useful in reinforcing concepts by matching them with ears-on learning. An enclosed CD lets anyone with a pc and speakers begin to make the kinds of intellectual and auditory correlations needed to make a lasting impression.

As someone who teaches audio at the undergraduate level, I've used several texts over the last 4 years, and am pleased (and relieved) to say that the 6th edition of APW is the book I'll be moving on to in the coming academic year.

0 of 0 people found the following review helpful.
Five Stars
By Rosemary Nyaole-Kowuor
Quite relevant and practical. The review questions are helpful.

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